<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://lambic.info/index.php?action=history&amp;feed=atom&amp;title=Sweetened_Lambic</id>
	<title>Sweetened Lambic - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://lambic.info/index.php?action=history&amp;feed=atom&amp;title=Sweetened_Lambic"/>
	<link rel="alternate" type="text/html" href="https://lambic.info/index.php?title=Sweetened_Lambic&amp;action=history"/>
	<updated>2026-05-10T04:38:40Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.1</generator>
	<entry>
		<id>https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=22802&amp;oldid=prev</id>
		<title>Matthew: /* Fruit Shortages, Juices, and Sweeteners */</title>
		<link rel="alternate" type="text/html" href="https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=22802&amp;oldid=prev"/>
		<updated>2025-02-16T22:17:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Fruit Shortages, Juices, and Sweeteners&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:17, 16 February 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot;&gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Shortages in fruits traditionally found in Belgian lambics also played a part in the addition of fruit juice and extracts.  After 1945, European agriculture was in dire straights, and many producers were left unable to grow or supply fruits.  Postwar food rationing and a rise in sugar consumption in general also played an important role in the shift to sweeter beers. In the postwar era, much of the sweetened lambic was primarily the result of blending young lambic or other top fermenting beers that contained significant residual sweetness with more tart, aged lambic.&amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Shortages in fruits traditionally found in Belgian lambics also played a part in the addition of fruit juice and extracts.  After 1945, European agriculture was in dire straights, and many producers were left unable to grow or supply fruits.  Postwar food rationing and a rise in sugar consumption in general also played an important role in the shift to sweeter beers. In the postwar era, much of the sweetened lambic was primarily the result of blending young lambic or other top fermenting beers that contained significant residual sweetness with more tart, aged lambic.&amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Brouwerij_Lindemans|Lindemans]], for example, began sweetening in 1972-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1973 &lt;/del&gt;because of a shortage of Schaeerbeekse cherries.&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt;  Some lambics are even sweetened artificially with Aspartame or Saccharin,&amp;lt;ref name=&quot;Oxford&quot;&amp;gt;Garrett Oliver, [http://www.amazon.com/Oxford-Companion-Beer-Garrett-Oliver/dp/0195367138 The Oxford Companion to Beer], 2011&amp;lt;/ref&amp;gt; listing &#039;sugar substitute&#039; as an ingredient on their beer labels.  As fruit lambic became more and more popular in the late &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1980’s &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1990’s&lt;/del&gt;, fruit juices were used to further sweeten lambic.&amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt;  [[Brouwerij_De_Troch|De Troch]] uses this process today for their fruit lambics both to satisfy the market for a sweetened product and to introduce more exotic fruit flavors like [[Chapeau_Exotic|pineapple]] and [[Chapeau_Banane|banana]] into the beer that are not readily available in Belgium.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Brouwerij_Lindemans|Lindemans]], for example, began sweetening in 1972-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;73 &lt;/ins&gt;because of a shortage of Schaeerbeekse cherries.&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt;  Some lambics are even sweetened artificially with Aspartame or Saccharin,&amp;lt;ref name=&quot;Oxford&quot;&amp;gt;Garrett Oliver, [http://www.amazon.com/Oxford-Companion-Beer-Garrett-Oliver/dp/0195367138 The Oxford Companion to Beer], 2011&amp;lt;/ref&amp;gt; listing &#039;sugar substitute&#039; as an ingredient on their beer labels.  As fruit lambic became more and more popular in the late &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1980s &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1990s&lt;/ins&gt;, fruit juices were used to further sweeten lambic.&amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt;  [[Brouwerij_De_Troch|De Troch]] uses this process today for their fruit lambics both to satisfy the market for a sweetened product and to introduce more exotic fruit flavors like [[Chapeau_Exotic|pineapple]] and [[Chapeau_Banane|banana]] into the beer that are not readily available in Belgium.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==What&amp;#039;s In a Name?==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==What&amp;#039;s In a Name?==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key wyoung99_mdwk1-mwiki_:diff:1.41:old-22801:rev-22802:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Matthew</name></author>
	</entry>
	<entry>
		<id>https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=22801&amp;oldid=prev</id>
		<title>Matthew: /* The Introduction of Sweetened Lambic */</title>
		<link rel="alternate" type="text/html" href="https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=22801&amp;oldid=prev"/>
		<updated>2025-02-16T22:16:27Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;The Introduction of Sweetened Lambic&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:16, 16 February 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The dichotomy between sweetened and unsweetened lambic has been represented for more than 200 years.  Until the mid-1800s, when pressurized barrels enabled beer to move more freely, beer in the Brussels was primarily lambic blended into faro.  Traditional faro is lambic that has been sweetened with brown sugar. Drinkers who did not appreciate the tart nature of lambic would add one or two lumps of sugar to make the beer more palatable.  A tool called a ‘stoemper’ was often used in lambic to help the sugars dissolve faster.  Despite the popularity of faro and sugar sweetening, some lambic drinkers insisted on drinking their lambic “neat.”&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The dichotomy between sweetened and unsweetened lambic has been represented for more than 200 years.  Until the mid-1800s, when pressurized barrels enabled beer to move more freely, beer in the Brussels was primarily lambic blended into faro.  Traditional faro is lambic that has been sweetened with brown sugar. Drinkers who did not appreciate the tart nature of lambic would add one or two lumps of sugar to make the beer more palatable.  A tool called a ‘stoemper’ was often used in lambic to help the sugars dissolve faster.  Despite the popularity of faro and sugar sweetening, some lambic drinkers insisted on drinking their lambic “neat.”&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This trend has not gone away entirely.  In the 1940s and 1950s, the demand for sweetened lambic continued to grow as consumer tastes trended toward the sweeter side of things. During World War II, those brewers who were still able to brew were severely restricted in terms of the quality and quantity of their ingredients. In order to continue producing kriek, many brewers added extra flavorings and colorings to combat the lack of available fruits. With the success of cola and soft drinks, both small and large brewers alike followed this trend by bringing &#039;&#039;capsulekensgeuze&#039;&#039; to the market.&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt; &#039;&#039;Capsulekensgeuze&#039;&#039; was generally comprised of a blend of lambic and top-fermented beer, was filtered, pasteurized, sweetened, pressurized with CO2 and bottled into &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;25cl &lt;/del&gt;bottles. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;[[Brasserie_Belle_Vue|Belle Vue]] and other lambic brewers also began to pasteurize their beers to prevent bottle conditioning and potential bottle explosions as a result of the residual sugars being left in the beers. Filtration also removed many of the bugs and created a cleaner beverage suited for the soda drinker market.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This trend has not gone away entirely.  In the 1940s and 1950s, the demand for sweetened lambic continued to grow as consumer tastes trended toward the sweeter side of things. During World War II, those brewers who were still able to brew were severely restricted in terms of the quality and quantity of their ingredients. In order to continue producing kriek, many brewers added extra flavorings and colorings to combat the lack of available fruits. With the success of cola and soft drinks, both small and large brewers alike followed this trend by bringing &#039;&#039;capsulekensgeuze&#039;&#039; to the market.&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt; &#039;&#039;Capsulekensgeuze&#039;&#039; was generally comprised of a blend of lambic and top-fermented beer, was filtered, pasteurized, sweetened, pressurized with CO2 and bottled into &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;250 mL &lt;/ins&gt;bottles. [[Brasserie_Belle_Vue|Belle Vue]] and other lambic brewers also began to pasteurize their beers to prevent bottle conditioning and potential bottle explosions as a result of the residual sugars being left in the beers. Filtration also removed many of the bugs and created a cleaner beverage suited for the soda drinker market.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Fruit Shortages, Juices, and Sweeteners==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Fruit Shortages, Juices, and Sweeteners==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Matthew</name></author>
	</entry>
	<entry>
		<id>https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=22776&amp;oldid=prev</id>
		<title>Matthew: /* The Introduction of Sweetened Lambic */</title>
		<link rel="alternate" type="text/html" href="https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=22776&amp;oldid=prev"/>
		<updated>2025-02-16T00:05:08Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;The Introduction of Sweetened Lambic&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:05, 16 February 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==The Introduction of Sweetened Lambic==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==The Introduction of Sweetened Lambic==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The dichotomy between sweetened and unsweetened lambic has been represented for more than 200 years.  Until the mid-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1800’s&lt;/del&gt;, when pressurized barrels enabled beer to move more freely, beer in the Brussels was primarily lambic blended into faro.  Traditional faro is lambic that has been sweetened with brown sugar. Drinkers who did not appreciate the tart nature of lambic would add one or two lumps of sugar to make the beer more palatable.  A tool called a ‘stoemper’ was often used in lambic to help the sugars dissolve faster.  Despite the popularity of faro and sugar sweetening, some lambic drinkers insisted on drinking their lambic “neat.”&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The dichotomy between sweetened and unsweetened lambic has been represented for more than 200 years.  Until the mid-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1800s&lt;/ins&gt;, when pressurized barrels enabled beer to move more freely, beer in the Brussels was primarily lambic blended into faro.  Traditional faro is lambic that has been sweetened with brown sugar. Drinkers who did not appreciate the tart nature of lambic would add one or two lumps of sugar to make the beer more palatable.  A tool called a ‘stoemper’ was often used in lambic to help the sugars dissolve faster.  Despite the popularity of faro and sugar sweetening, some lambic drinkers insisted on drinking their lambic “neat.”&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This trend has not gone away entirely.  In the 1940s and 1950s, the demand for sweetened lambic continued to grow as consumer tastes trended toward the sweeter side of things. During World War II, those brewers who were still able to brew were severely restricted in terms of the quality and quantity of their ingredients. In order to continue producing kriek, many brewers added extra flavorings and colorings to combat the lack of available fruits. With the success of cola and soft drinks, both small and large brewers alike followed this trend by bringing &amp;#039;&amp;#039;capsulekensgeuze&amp;#039;&amp;#039; to the market.&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt; &amp;#039;&amp;#039;Capsulekensgeuze&amp;#039;&amp;#039; was generally comprised of a blend of lambic and top-fermented beer, was filtered, pasteurized, sweetened, pressurized with CO2 and bottled into 25cl bottles.  [[Brasserie_Belle_Vue|Belle Vue]] and other lambic brewers also began to pasteurize their beers to prevent bottle conditioning and potential bottle explosions as a result of the residual sugars being left in the beers. Filtration also removed many of the bugs and created a cleaner beverage suited for the soda drinker market.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This trend has not gone away entirely.  In the 1940s and 1950s, the demand for sweetened lambic continued to grow as consumer tastes trended toward the sweeter side of things. During World War II, those brewers who were still able to brew were severely restricted in terms of the quality and quantity of their ingredients. In order to continue producing kriek, many brewers added extra flavorings and colorings to combat the lack of available fruits. With the success of cola and soft drinks, both small and large brewers alike followed this trend by bringing &amp;#039;&amp;#039;capsulekensgeuze&amp;#039;&amp;#039; to the market.&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt; &amp;#039;&amp;#039;Capsulekensgeuze&amp;#039;&amp;#039; was generally comprised of a blend of lambic and top-fermented beer, was filtered, pasteurized, sweetened, pressurized with CO2 and bottled into 25cl bottles.  [[Brasserie_Belle_Vue|Belle Vue]] and other lambic brewers also began to pasteurize their beers to prevent bottle conditioning and potential bottle explosions as a result of the residual sugars being left in the beers. Filtration also removed many of the bugs and created a cleaner beverage suited for the soda drinker market.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key wyoung99_mdwk1-mwiki_:diff:1.41:old-13453:rev-22776:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Matthew</name></author>
	</entry>
	<entry>
		<id>https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=13453&amp;oldid=prev</id>
		<title>Matt at 19:20, 11 November 2016</title>
		<link rel="alternate" type="text/html" href="https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=13453&amp;oldid=prev"/>
		<updated>2016-11-11T19:20:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:20, 11 November 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l17&quot;&gt;Line 17:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 17:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Significant confusion over unsweetened and sweetened lambic products ensued, and some brewers note that sweetening lambic was squeezing out traditional lambic. Jean-Pierre Van Roy is quoted in [[Books#Wild_Brews:_Culture_and_Craftsmanship_in_the_Belgian_Tradition|&amp;#039;&amp;#039;Wild Brews: Culture and Craftsmanship in the Belgian Tradition&amp;#039;&amp;#039;]] as saying that “the sweet lambic, the sweet fruit beer, and the sweet gueuze don’t exist. It’s impossible. If it is very sweet there are three possibilities: It is not a lambic, it has aspartame added, or it is pasteurized. Lambic is a natural product.”&amp;lt;ref name=WildBrews&amp;gt;Jeff Sparrow, [[Books#Wild Brews: Culture and Craftsmanship in the Belgian Tradition|Wild Brews: Culture and Craftsmanship in the Belgian Tradition]], 2005&amp;lt;/ref&amp;gt;  However, history has shown that sweetening has played a significant role in the history, success, and survival, of lambic in general throughout the years. Indeed, Jean Van Roy has agreed on at least one occasion that his father was using saccharine to sweeten beers as a “means to basically save the brewery … because people wanted sweet things.”&amp;lt;ref name=summit9&amp;gt;Lambic Summit, part 9 (Shelton Brothers), Jean VanRoy, 2010&amp;lt;/ref&amp;gt; Sweetening lambic was viewed as a normal part of the business.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Significant confusion over unsweetened and sweetened lambic products ensued, and some brewers note that sweetening lambic was squeezing out traditional lambic. Jean-Pierre Van Roy is quoted in [[Books#Wild_Brews:_Culture_and_Craftsmanship_in_the_Belgian_Tradition|&amp;#039;&amp;#039;Wild Brews: Culture and Craftsmanship in the Belgian Tradition&amp;#039;&amp;#039;]] as saying that “the sweet lambic, the sweet fruit beer, and the sweet gueuze don’t exist. It’s impossible. If it is very sweet there are three possibilities: It is not a lambic, it has aspartame added, or it is pasteurized. Lambic is a natural product.”&amp;lt;ref name=WildBrews&amp;gt;Jeff Sparrow, [[Books#Wild Brews: Culture and Craftsmanship in the Belgian Tradition|Wild Brews: Culture and Craftsmanship in the Belgian Tradition]], 2005&amp;lt;/ref&amp;gt;  However, history has shown that sweetening has played a significant role in the history, success, and survival, of lambic in general throughout the years. Indeed, Jean Van Roy has agreed on at least one occasion that his father was using saccharine to sweeten beers as a “means to basically save the brewery … because people wanted sweet things.”&amp;lt;ref name=summit9&amp;gt;Lambic Summit, part 9 (Shelton Brothers), Jean VanRoy, 2010&amp;lt;/ref&amp;gt; Sweetening lambic was viewed as a normal part of the business.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As lambic brewers and blenders began to recognize the importance of keeping the older traditions alive, some banded together to form [[HORAL]]. This group aims to promote lambic beers, brewing, and culture in Belgium.  Their stated goals are &quot;to promote the craft lambic beers and related products, paying attention to the entire process of brewing to serving lambic; denouncing irregularities concerning artisanal lambic beers and related products; take steps to protect the traditional lambic beers and related products.&quot;&amp;lt;ref name = HORALAssociation&amp;gt; HORAL - Association, Members, and History, http://www.horal.be/vereniging (Dutch)&amp;lt;/ref&amp;gt; HORAL has worked to obtain and maintain current European Protections on traditional lambic beers since the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Traditionally &lt;/del&gt;Specialty Guaranteed (TSG) label was assigned to them in 1997.&amp;lt;Ref name = Avermaete&amp;amp;Vandermosten&amp;gt; Tessa Avermaete and Gert Vandermosten, Traditional Belgian Beers in a Global Market Economy, 2009 &amp;lt;/ref&amp;gt; It guaranteed that any sweetened geuze would simply be called ‘geuze’ and any fully traditionally produced geuze would be called ‘oude geuze’, with the adjective ‘oude’ as a title that guarantees that the beer has been prepared the old, traditional way.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As lambic brewers and blenders began to recognize the importance of keeping the older traditions alive, some banded together to form [[HORAL]]. This group aims to promote lambic beers, brewing, and culture in Belgium.  Their stated goals are &quot;to promote the craft lambic beers and related products, paying attention to the entire process of brewing to serving lambic; denouncing irregularities concerning artisanal lambic beers and related products; take steps to protect the traditional lambic beers and related products.&quot;&amp;lt;ref name = HORALAssociation&amp;gt; HORAL - Association, Members, and History, http://www.horal.be/vereniging (Dutch)&amp;lt;/ref&amp;gt; HORAL has worked to obtain and maintain current European Protections on traditional lambic beers since the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Traditional &lt;/ins&gt;Specialty Guaranteed (TSG) label was assigned to them in 1997.&amp;lt;Ref name = Avermaete&amp;amp;Vandermosten&amp;gt; Tessa Avermaete and Gert Vandermosten, Traditional Belgian Beers in a Global Market Economy, 2009 &amp;lt;/ref&amp;gt; It guaranteed that any sweetened geuze would simply be called ‘geuze’ and any fully traditionally produced geuze would be called ‘oude geuze’, with the adjective ‘oude’ as a title that guarantees that the beer has been prepared the old, traditional way.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;All lambic producers except [[Brasserie_Cantillon|Cantillon]], who is not part of HORAL, have generally followed this terminology. Van Roy&amp;#039;s reasoning is that they feel no need to distinguish their product as such because everything they make is traditional.&amp;lt;ref name = LambicSummit2010&amp;gt; Lambic Summit, part 10 (Shelton Brothers), Jean Van Roy, 2010 &amp;lt;/ref&amp;gt;  This is not to say, however, that all HORAL members make all traditional products.  It is well noted many HORAL members make both unsweetened products as well as sweetened products.  Today breweries like [[Brouwerij_Timmermans|Timmermans]] and Lindemans produce both sweetened and unsweetened products. Recently, Lindemans has moved to sweetening their lambics with stevia, a natural product.&amp;lt;Ref name= LindemansCommunication&amp;gt; Brouwerij Lindemans, Personal Communication, 2014&amp;lt;/ref&amp;gt;&amp;lt;Ref name=LindemansFram&amp;gt; Merchant du Vin, [http://www.merchantduvin.com/brew-lindemans-framboise-lambic.php Lindemans Framboise Description] &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;All lambic producers except [[Brasserie_Cantillon|Cantillon]], who is not part of HORAL, have generally followed this terminology. Van Roy&amp;#039;s reasoning is that they feel no need to distinguish their product as such because everything they make is traditional.&amp;lt;ref name = LambicSummit2010&amp;gt; Lambic Summit, part 10 (Shelton Brothers), Jean Van Roy, 2010 &amp;lt;/ref&amp;gt;  This is not to say, however, that all HORAL members make all traditional products.  It is well noted many HORAL members make both unsweetened products as well as sweetened products.  Today breweries like [[Brouwerij_Timmermans|Timmermans]] and Lindemans produce both sweetened and unsweetened products. Recently, Lindemans has moved to sweetening their lambics with stevia, a natural product.&amp;lt;Ref name= LindemansCommunication&amp;gt; Brouwerij Lindemans, Personal Communication, 2014&amp;lt;/ref&amp;gt;&amp;lt;Ref name=LindemansFram&amp;gt; Merchant du Vin, [http://www.merchantduvin.com/brew-lindemans-framboise-lambic.php Lindemans Framboise Description] &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key wyoung99_mdwk1-mwiki_:diff:1.41:old-9270:rev-13453:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Matt</name></author>
	</entry>
	<entry>
		<id>https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=9270&amp;oldid=prev</id>
		<title>Adam at 06:53, 6 February 2015</title>
		<link rel="alternate" type="text/html" href="https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=9270&amp;oldid=prev"/>
		<updated>2015-02-06T06:53:42Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:53, 6 February 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot;&gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This trend has not gone away entirely.  In the 1940s and 1950s, the demand for sweetened lambic continued to grow as consumer tastes trended toward the sweeter side of things. During World War II, those brewers who were still able to brew were severely restricted in terms of the quality and quantity of their ingredients. In order to continue producing kriek, many brewers added extra flavorings and colorings to combat the lack of available fruits. With the success of cola and soft drinks, both small and large brewers alike followed this trend by bringing &amp;#039;&amp;#039;capsulekensgeuze&amp;#039;&amp;#039; to the market.&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt; &amp;#039;&amp;#039;Capsulekensgeuze&amp;#039;&amp;#039; was generally comprised of a blend of lambic and top-fermented beer, was filtered, pasteurized, sweetened, pressurized with CO2 and bottled into 25cl bottles.  [[Brasserie_Belle_Vue|Belle Vue]] and other lambic brewers also began to pasteurize their beers to prevent bottle conditioning and potential bottle explosions as a result of the residual sugars being left in the beers. Filtration also removed many of the bugs and created a cleaner beverage suited for the soda drinker market.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This trend has not gone away entirely.  In the 1940s and 1950s, the demand for sweetened lambic continued to grow as consumer tastes trended toward the sweeter side of things. During World War II, those brewers who were still able to brew were severely restricted in terms of the quality and quantity of their ingredients. In order to continue producing kriek, many brewers added extra flavorings and colorings to combat the lack of available fruits. With the success of cola and soft drinks, both small and large brewers alike followed this trend by bringing &amp;#039;&amp;#039;capsulekensgeuze&amp;#039;&amp;#039; to the market.&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt; &amp;#039;&amp;#039;Capsulekensgeuze&amp;#039;&amp;#039; was generally comprised of a blend of lambic and top-fermented beer, was filtered, pasteurized, sweetened, pressurized with CO2 and bottled into 25cl bottles.  [[Brasserie_Belle_Vue|Belle Vue]] and other lambic brewers also began to pasteurize their beers to prevent bottle conditioning and potential bottle explosions as a result of the residual sugars being left in the beers. Filtration also removed many of the bugs and created a cleaner beverage suited for the soda drinker market.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Fruit &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;shortages&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;juices&lt;/del&gt;, and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sweeteners&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Fruit &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shortages&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Juices&lt;/ins&gt;, and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sweeteners&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Shortages in fruits traditionally found in Belgian lambics also played a part in the addition of fruit juice and extracts.  After 1945, European agriculture was in dire straights, and many producers were left unable to grow or supply fruits.  Postwar food rationing and a rise in sugar consumption in general also played an important role in the shift to sweeter beers. In the postwar era, much of the sweetened lambic was primarily the result of blending young lambic or other top fermenting beers that contained significant residual sweetness with more tart, aged lambic.&amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Shortages in fruits traditionally found in Belgian lambics also played a part in the addition of fruit juice and extracts.  After 1945, European agriculture was in dire straights, and many producers were left unable to grow or supply fruits.  Postwar food rationing and a rise in sugar consumption in general also played an important role in the shift to sweeter beers. In the postwar era, much of the sweetened lambic was primarily the result of blending young lambic or other top fermenting beers that contained significant residual sweetness with more tart, aged lambic.&amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Brouwerij_Lindemans|Lindemans]], for example, began sweetening in 1972-1973 because of a shortage of Schaeerbeekse cherries.&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt;  Some lambics are even sweetened artificially with Aspartame or Saccharin,&amp;lt;ref name=&amp;quot;Oxford&amp;quot;&amp;gt;Garrett Oliver, [http://www.amazon.com/Oxford-Companion-Beer-Garrett-Oliver/dp/0195367138 The Oxford Companion to Beer], 2011&amp;lt;/ref&amp;gt; listing &amp;#039;sugar substitute&amp;#039; as an ingredient on their beer labels.  As fruit lambic became more and more popular in the late 1980’s and 1990’s, fruit juices were used to further sweeten lambic.&amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt;  [[Brouwerij_De_Troch|De Troch]] uses this process today for their fruit lambics both to satisfy the market for a sweetened product and to introduce more exotic fruit flavors like [[Chapeau_Exotic|pineapple]] and [[Chapeau_Banane|banana]] into the beer that are not readily available in Belgium.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Brouwerij_Lindemans|Lindemans]], for example, began sweetening in 1972-1973 because of a shortage of Schaeerbeekse cherries.&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt;  Some lambics are even sweetened artificially with Aspartame or Saccharin,&amp;lt;ref name=&amp;quot;Oxford&amp;quot;&amp;gt;Garrett Oliver, [http://www.amazon.com/Oxford-Companion-Beer-Garrett-Oliver/dp/0195367138 The Oxford Companion to Beer], 2011&amp;lt;/ref&amp;gt; listing &amp;#039;sugar substitute&amp;#039; as an ingredient on their beer labels.  As fruit lambic became more and more popular in the late 1980’s and 1990’s, fruit juices were used to further sweeten lambic.&amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt;  [[Brouwerij_De_Troch|De Troch]] uses this process today for their fruit lambics both to satisfy the market for a sweetened product and to introduce more exotic fruit flavors like [[Chapeau_Exotic|pineapple]] and [[Chapeau_Banane|banana]] into the beer that are not readily available in Belgium.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==What&#039;s In &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A &lt;/del&gt;Name?==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==What&#039;s In &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a &lt;/ins&gt;Name?==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Significant confusion over unsweetened and sweetened lambic products ensued, and some brewers note that sweetening lambic was squeezing out traditional lambic. Jean-Pierre Van Roy is quoted in [[Books#Wild_Brews:_Culture_and_Craftsmanship_in_the_Belgian_Tradition|&amp;#039;&amp;#039;Wild Brews: Culture and Craftsmanship in the Belgian Tradition&amp;#039;&amp;#039;]] as saying that “the sweet lambic, the sweet fruit beer, and the sweet gueuze don’t exist. It’s impossible. If it is very sweet there are three possibilities: It is not a lambic, it has aspartame added, or it is pasteurized. Lambic is a natural product.”&amp;lt;ref name=WildBrews&amp;gt;Jeff Sparrow, [[Books#Wild Brews: Culture and Craftsmanship in the Belgian Tradition|Wild Brews: Culture and Craftsmanship in the Belgian Tradition]], 2005&amp;lt;/ref&amp;gt;  However, history has shown that sweetening has played a significant role in the history, success, and survival, of lambic in general throughout the years. Indeed, Jean Van Roy has agreed on at least one occasion that his father was using saccharine to sweeten beers as a “means to basically save the brewery … because people wanted sweet things.”&amp;lt;ref name=summit9&amp;gt;Lambic Summit, part 9 (Shelton Brothers), Jean VanRoy, 2010&amp;lt;/ref&amp;gt; Sweetening lambic was viewed as a normal part of the business.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Significant confusion over unsweetened and sweetened lambic products ensued, and some brewers note that sweetening lambic was squeezing out traditional lambic. Jean-Pierre Van Roy is quoted in [[Books#Wild_Brews:_Culture_and_Craftsmanship_in_the_Belgian_Tradition|&amp;#039;&amp;#039;Wild Brews: Culture and Craftsmanship in the Belgian Tradition&amp;#039;&amp;#039;]] as saying that “the sweet lambic, the sweet fruit beer, and the sweet gueuze don’t exist. It’s impossible. If it is very sweet there are three possibilities: It is not a lambic, it has aspartame added, or it is pasteurized. Lambic is a natural product.”&amp;lt;ref name=WildBrews&amp;gt;Jeff Sparrow, [[Books#Wild Brews: Culture and Craftsmanship in the Belgian Tradition|Wild Brews: Culture and Craftsmanship in the Belgian Tradition]], 2005&amp;lt;/ref&amp;gt;  However, history has shown that sweetening has played a significant role in the history, success, and survival, of lambic in general throughout the years. Indeed, Jean Van Roy has agreed on at least one occasion that his father was using saccharine to sweeten beers as a “means to basically save the brewery … because people wanted sweet things.”&amp;lt;ref name=summit9&amp;gt;Lambic Summit, part 9 (Shelton Brothers), Jean VanRoy, 2010&amp;lt;/ref&amp;gt; Sweetening lambic was viewed as a normal part of the business.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key wyoung99_mdwk1-mwiki_:diff:1.41:old-9269:rev-9270:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Adam</name></author>
	</entry>
	<entry>
		<id>https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=9269&amp;oldid=prev</id>
		<title>Adam at 06:52, 6 February 2015</title>
		<link rel="alternate" type="text/html" href="https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=9269&amp;oldid=prev"/>
		<updated>2015-02-06T06:52:56Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:52, 6 February 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[An_Overview_of_Lambic|← An Overview of Lambic]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[An_Overview_of_Lambic|← An Overview of Lambic]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Sweetened Lambic==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Sweetened Lambic==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;No beer style has a greater dichotomy than lambic. For many, it is an entry level beer, marketed as easy drinking, sweet, and a great transition for people who generally do not like the taste of &quot;regular&quot; beer.  On the other side is a complex beverage: an acquired taste that is considered to be one of most evolved and sought after beers among aficionados.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;No beer style has a greater dichotomy than lambic. For many, it is an entry level beer, marketed as easy drinking, sweet, and a great transition for people who generally do not like the taste of &quot;regular&quot; beer.  On the other side is a complex beverage: an acquired taste that is considered to be one of most evolved and sought after beers among aficionados&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. The continued popularity of sweetened lambic serves both as a vehicle for commercial success as well as a polarizing entity among brewers and blenders who chose not to sweeten their products&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;==The Introduction of Sweetened Lambic&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==The Introduction of Sweetened Lambic==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The dichotomy between sweetened and unsweetened lambic has been represented for more than 200 years.  Until the mid-1800’s, when pressurized barrels enabled beer to move more freely, beer in the Brussels was primarily lambic blended into faro.  Traditional faro is lambic that has been sweetened with brown sugar. Drinkers who did not appreciate the tart nature of lambic would add one or two lumps of sugar to make the beer more palatable.  A tool called a ‘stoemper’ was often used in lambic to help the sugars dissolve faster.  Despite the popularity of faro and sugar sweetening, some lambic drinkers insisted on drinking their lambic “neat.”&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The dichotomy between sweetened and unsweetened lambic has been represented for more than 200 years.  Until the mid-1800’s, when pressurized barrels enabled beer to move more freely, beer in the Brussels was primarily lambic blended into faro.  Traditional faro is lambic that has been sweetened with brown sugar. Drinkers who did not appreciate the tart nature of lambic would add one or two lumps of sugar to make the beer more palatable.  A tool called a ‘stoemper’ was often used in lambic to help the sugars dissolve faster.  Despite the popularity of faro and sugar sweetening, some lambic drinkers insisted on drinking their lambic “neat.”&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This trend has not gone away entirely.  In the 1940s and 1950s, the demand for sweetened lambic continued to grow as consumer tastes trended toward the sweeter side of things. During World War II, those brewers who were still able to brew were severely restricted in terms of the quality and quantity of their ingredients. In order to continue producing kriek, many brewers added extra flavorings and colorings to combat the lack of available fruits. With the success of cola and soft drinks, both small and large brewers alike followed this trend by bringing &amp;#039;&amp;#039;capsulekensgeuze&amp;#039;&amp;#039; to the market.&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt; &amp;#039;&amp;#039;Capsulekensgeuze&amp;#039;&amp;#039; was generally comprised of a blend of lambic and top-fermented beer, was filtered, pasteurized, sweetened, pressurized with CO2 and bottled into 25cl bottles.  [[Brasserie_Belle_Vue|Belle Vue]] and other lambic brewers also began to pasteurize their beers to prevent bottle conditioning and potential bottle explosions as a result of the residual sugars being left in the beers. Filtration also removed many of the bugs and created a cleaner beverage suited for the soda drinker market.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This trend has not gone away entirely.  In the 1940s and 1950s, the demand for sweetened lambic continued to grow as consumer tastes trended toward the sweeter side of things. During World War II, those brewers who were still able to brew were severely restricted in terms of the quality and quantity of their ingredients. In order to continue producing kriek, many brewers added extra flavorings and colorings to combat the lack of available fruits. With the success of cola and soft drinks, both small and large brewers alike followed this trend by bringing &amp;#039;&amp;#039;capsulekensgeuze&amp;#039;&amp;#039; to the market.&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt; &amp;#039;&amp;#039;Capsulekensgeuze&amp;#039;&amp;#039; was generally comprised of a blend of lambic and top-fermented beer, was filtered, pasteurized, sweetened, pressurized with CO2 and bottled into 25cl bottles.  [[Brasserie_Belle_Vue|Belle Vue]] and other lambic brewers also began to pasteurize their beers to prevent bottle conditioning and potential bottle explosions as a result of the residual sugars being left in the beers. Filtration also removed many of the bugs and created a cleaner beverage suited for the soda drinker market.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;==Fruit shortages, juices, and sweeteners&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Fruit shortages, juices, and sweeteners==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Shortages in fruits traditionally found in Belgian lambics also played a part in the addition of fruit juice and extracts.  After 1945, European agriculture was in dire straights, and many producers were left unable to grow or supply fruits.  Postwar food rationing and a rise in sugar consumption in general also played an important role in the shift to sweeter beers. In the postwar era, much of the sweetened lambic was primarily the result of blending young lambic or other top fermenting beers that contained significant residual sweetness with more tart, aged lambic.&amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Shortages in fruits traditionally found in Belgian lambics also played a part in the addition of fruit juice and extracts.  After 1945, European agriculture was in dire straights, and many producers were left unable to grow or supply fruits.  Postwar food rationing and a rise in sugar consumption in general also played an important role in the shift to sweeter beers. In the postwar era, much of the sweetened lambic was primarily the result of blending young lambic or other top fermenting beers that contained significant residual sweetness with more tart, aged lambic.&amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Brouwerij_Lindemans|Lindemans]], for example, began sweetening in 1972-1973 because of a shortage of Schaeerbeekse cherries.&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt;  Some lambics are even sweetened artificially with Aspartame or Saccharin,&amp;lt;ref name=&amp;quot;Oxford&amp;quot;&amp;gt;Garrett Oliver, [http://www.amazon.com/Oxford-Companion-Beer-Garrett-Oliver/dp/0195367138 The Oxford Companion to Beer], 2011&amp;lt;/ref&amp;gt; listing &amp;#039;sugar substitute&amp;#039; as an ingredient on their beer labels.  As fruit lambic became more and more popular in the late 1980’s and 1990’s, fruit juices were used to further sweeten lambic.&amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt;  [[Brouwerij_De_Troch|De Troch]] uses this process today for their fruit lambics both to satisfy the market for a sweetened product and to introduce more exotic fruit flavors like [[Chapeau_Exotic|pineapple]] and [[Chapeau_Banane|banana]] into the beer that are not readily available in Belgium.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Brouwerij_Lindemans|Lindemans]], for example, began sweetening in 1972-1973 because of a shortage of Schaeerbeekse cherries.&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt;  Some lambics are even sweetened artificially with Aspartame or Saccharin,&amp;lt;ref name=&amp;quot;Oxford&amp;quot;&amp;gt;Garrett Oliver, [http://www.amazon.com/Oxford-Companion-Beer-Garrett-Oliver/dp/0195367138 The Oxford Companion to Beer], 2011&amp;lt;/ref&amp;gt; listing &amp;#039;sugar substitute&amp;#039; as an ingredient on their beer labels.  As fruit lambic became more and more popular in the late 1980’s and 1990’s, fruit juices were used to further sweeten lambic.&amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt;  [[Brouwerij_De_Troch|De Troch]] uses this process today for their fruit lambics both to satisfy the market for a sweetened product and to introduce more exotic fruit flavors like [[Chapeau_Exotic|pineapple]] and [[Chapeau_Banane|banana]] into the beer that are not readily available in Belgium.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;==What&#039;s In A Name?&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==What&#039;s In A Name?==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Significant confusion over unsweetened and sweetened lambic products ensued, and some brewers note that sweetening lambic was squeezing out traditional lambic. Jean-Pierre Van Roy is quoted in [[Books#Wild_Brews:_Culture_and_Craftsmanship_in_the_Belgian_Tradition|&amp;#039;&amp;#039;Wild Brews: Culture and Craftsmanship in the Belgian Tradition&amp;#039;&amp;#039;]] as saying that “the sweet lambic, the sweet fruit beer, and the sweet gueuze don’t exist. It’s impossible. If it is very sweet there are three possibilities: It is not a lambic, it has aspartame added, or it is pasteurized. Lambic is a natural product.”&amp;lt;ref name=WildBrews&amp;gt;Jeff Sparrow, [[Books#Wild Brews: Culture and Craftsmanship in the Belgian Tradition|Wild Brews: Culture and Craftsmanship in the Belgian Tradition]], 2005&amp;lt;/ref&amp;gt;  However, history has shown that sweetening has played a significant role in the history, success, and survival, of lambic in general throughout the years. Indeed, Jean Van Roy has agreed on at least one occasion that his father was using saccharine to sweeten beers as a “means to basically save the brewery … because people wanted sweet things.”&amp;lt;ref name=summit9&amp;gt;Lambic Summit, part 9 (Shelton Brothers), Jean VanRoy, 2010&amp;lt;/ref&amp;gt; Sweetening lambic was viewed as a normal part of the business.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Significant confusion over unsweetened and sweetened lambic products ensued, and some brewers note that sweetening lambic was squeezing out traditional lambic. Jean-Pierre Van Roy is quoted in [[Books#Wild_Brews:_Culture_and_Craftsmanship_in_the_Belgian_Tradition|&amp;#039;&amp;#039;Wild Brews: Culture and Craftsmanship in the Belgian Tradition&amp;#039;&amp;#039;]] as saying that “the sweet lambic, the sweet fruit beer, and the sweet gueuze don’t exist. It’s impossible. If it is very sweet there are three possibilities: It is not a lambic, it has aspartame added, or it is pasteurized. Lambic is a natural product.”&amp;lt;ref name=WildBrews&amp;gt;Jeff Sparrow, [[Books#Wild Brews: Culture and Craftsmanship in the Belgian Tradition|Wild Brews: Culture and Craftsmanship in the Belgian Tradition]], 2005&amp;lt;/ref&amp;gt;  However, history has shown that sweetening has played a significant role in the history, success, and survival, of lambic in general throughout the years. Indeed, Jean Van Roy has agreed on at least one occasion that his father was using saccharine to sweeten beers as a “means to basically save the brewery … because people wanted sweet things.”&amp;lt;ref name=summit9&amp;gt;Lambic Summit, part 9 (Shelton Brothers), Jean VanRoy, 2010&amp;lt;/ref&amp;gt; Sweetening lambic was viewed as a normal part of the business.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot;&gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;All lambic producers except [[Brasserie_Cantillon|Cantillon]], who is not part of HORAL, have generally followed this terminology. Van Roy&amp;#039;s reasoning is that they feel no need to distinguish their product as such because everything they make is traditional.&amp;lt;ref name = LambicSummit2010&amp;gt; Lambic Summit, part 10 (Shelton Brothers), Jean Van Roy, 2010 &amp;lt;/ref&amp;gt;  This is not to say, however, that all HORAL members make all traditional products.  It is well noted many HORAL members make both unsweetened products as well as sweetened products.  Today breweries like [[Brouwerij_Timmermans|Timmermans]] and Lindemans produce both sweetened and unsweetened products. Recently, Lindemans has moved to sweetening their lambics with stevia, a natural product.&amp;lt;Ref name= LindemansCommunication&amp;gt; Brouwerij Lindemans, Personal Communication, 2014&amp;lt;/ref&amp;gt;&amp;lt;Ref name=LindemansFram&amp;gt; Merchant du Vin, [http://www.merchantduvin.com/brew-lindemans-framboise-lambic.php Lindemans Framboise Description] &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;All lambic producers except [[Brasserie_Cantillon|Cantillon]], who is not part of HORAL, have generally followed this terminology. Van Roy&amp;#039;s reasoning is that they feel no need to distinguish their product as such because everything they make is traditional.&amp;lt;ref name = LambicSummit2010&amp;gt; Lambic Summit, part 10 (Shelton Brothers), Jean Van Roy, 2010 &amp;lt;/ref&amp;gt;  This is not to say, however, that all HORAL members make all traditional products.  It is well noted many HORAL members make both unsweetened products as well as sweetened products.  Today breweries like [[Brouwerij_Timmermans|Timmermans]] and Lindemans produce both sweetened and unsweetened products. Recently, Lindemans has moved to sweetening their lambics with stevia, a natural product.&amp;lt;Ref name= LindemansCommunication&amp;gt; Brouwerij Lindemans, Personal Communication, 2014&amp;lt;/ref&amp;gt;&amp;lt;Ref name=LindemansFram&amp;gt; Merchant du Vin, [http://www.merchantduvin.com/brew-lindemans-framboise-lambic.php Lindemans Framboise Description] &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;==Conclusion&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Conclusion==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Both sweetened and traditional lambics have a complex [[A_Brief_History_of_Lambic_in_Belgium|history]] in Belgium. While unsweetened lambic has made a significant comeback, the sweetened products continue to dominate sales for many of the larger breweries. It is easy to dismiss sweetened lambic as poor quality or even laziness on the part of the brewers, &amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt; but exploring both varieties provides a more comprehensive understanding of  the history of lambic beers in Belgium, the various [[Brewing_Lambic|brewing techniques]], and its impact on the survival of lambic in general. To dismiss out-of-hand sweetened lambic as non-traditional is to dismiss a significant chunk of lambic culture.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Both sweetened and traditional lambics have a complex [[A_Brief_History_of_Lambic_in_Belgium|history]] in Belgium. While unsweetened lambic has made a significant comeback, the sweetened products continue to dominate sales for many of the larger breweries. It is easy to dismiss sweetened lambic as poor quality or even laziness on the part of the brewers, &amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt; but exploring both varieties provides a more comprehensive understanding of  the history of lambic beers in Belgium, the various [[Brewing_Lambic|brewing techniques]], and its impact on the survival of lambic in general. To dismiss out-of-hand sweetened lambic as non-traditional is to dismiss a significant chunk of lambic culture.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key wyoung99_mdwk1-mwiki_:diff:1.41:old-9268:rev-9269:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Adam</name></author>
	</entry>
	<entry>
		<id>https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=9268&amp;oldid=prev</id>
		<title>Adam at 06:49, 6 February 2015</title>
		<link rel="alternate" type="text/html" href="https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=9268&amp;oldid=prev"/>
		<updated>2015-02-06T06:49:26Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:49, 6 February 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:LambicInfoDragon.png|right|375px]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:LambicInfoDragon.png|right|375px]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[An_Overview_of_Lambic|← An Overview of Lambic]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[An_Overview_of_Lambic|← An Overview of Lambic]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A Brief History of &lt;/del&gt;Lambic &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in Belgium&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sweetened &lt;/ins&gt;Lambic==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;No beer style has a greater dichotomy than lambic. For many, it is an entry level beer, marketed as easy drinking, sweet, and a great transition for people who generally do not &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;like the taste of beer.  On the other side is a complex beverage: an acquired taste that is considered to be one of most evolved and sought after &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;tastes &lt;/del&gt;among &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;beer &lt;/del&gt;aficionados.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;No beer style has a greater dichotomy than lambic. For many, it is an entry level beer, marketed as easy drinking, sweet, and a great transition for people who generally do not like the taste of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;regular&quot; &lt;/ins&gt;beer.  On the other side is a complex beverage: an acquired taste that is considered to be one of most evolved and sought after &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;beers &lt;/ins&gt;among aficionados.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===The Introduction of Sweetened Lambic===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===The Introduction of Sweetened Lambic===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Adam</name></author>
	</entry>
	<entry>
		<id>https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=7894&amp;oldid=prev</id>
		<title>Ryan: /* A Brief History of Lambic in Belgium */</title>
		<link rel="alternate" type="text/html" href="https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=7894&amp;oldid=prev"/>
		<updated>2015-01-18T02:09:13Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;A Brief History of Lambic in Belgium&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 02:09, 18 January 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===The Introduction of Sweetened Lambic===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===The Introduction of Sweetened Lambic===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The dichotomy between sweetened and unsweetened lambic has been represented for more than 200 years.  Until the mid-1800’s, when pressurized barrels enabled beer to move more freely, beer in the Brussels was primarily lambic blended into faro.  Traditional faro is lambic that has been sweetened with brown sugar. Drinkers who did not appreciate the tart nature of lambic would add one or two lumps of sugar to make the beer more palatable.  A tool called a ‘stoemper’ was often used in lambic to help the sugars dissolve faster.  Despite the popularity of faro and sugar sweetening, some lambic drinkers insisted on drinking their lambic &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“neat”&lt;/del&gt;.&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The dichotomy between sweetened and unsweetened lambic has been represented for more than 200 years.  Until the mid-1800’s, when pressurized barrels enabled beer to move more freely, beer in the Brussels was primarily lambic blended into faro.  Traditional faro is lambic that has been sweetened with brown sugar. Drinkers who did not appreciate the tart nature of lambic would add one or two lumps of sugar to make the beer more palatable.  A tool called a ‘stoemper’ was often used in lambic to help the sugars dissolve faster.  Despite the popularity of faro and sugar sweetening, some lambic drinkers insisted on drinking their lambic &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“neat&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;”&lt;/ins&gt;&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This trend has not gone away entirely.  In the 1940s and 1950s, the demand for sweetened lambic continued to grow as consumer tastes trended toward the sweeter side of things. During World War II, those brewers who were still able to brew were severely restricted in terms of the quality and quantity of their ingredients. In order to continue producing kriek, many brewers added extra flavorings and colorings to combat the lack of available fruits. With the success of cola and soft drinks, both small and large brewers alike followed this trend by bringing &#039;&#039;capsulekensgeuze&#039;&#039; to the market. &amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt; &#039;&#039;Capsulekensgeuze&#039;&#039; was generally comprised of a blend of lambic and top-fermented beer, was filtered, pasteurized, sweetened, pressurized with CO2 and bottled into 25cl bottles.  [[Brasserie_Belle_Vue|Belle Vue]] and other lambic brewers also began to pasteurize their beers to prevent bottle conditioning and potential bottle explosions as a result of the residual sugars being left in the beers. Filtration also removed many of the bugs and created a cleaner beverage suited for the soda drinker market.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This trend has not gone away entirely.  In the 1940s and 1950s, the demand for sweetened lambic continued to grow as consumer tastes trended toward the sweeter side of things. During World War II, those brewers who were still able to brew were severely restricted in terms of the quality and quantity of their ingredients. In order to continue producing kriek, many brewers added extra flavorings and colorings to combat the lack of available fruits. With the success of cola and soft drinks, both small and large brewers alike followed this trend by bringing &#039;&#039;capsulekensgeuze&#039;&#039; to the market.&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt; &#039;&#039;Capsulekensgeuze&#039;&#039; was generally comprised of a blend of lambic and top-fermented beer, was filtered, pasteurized, sweetened, pressurized with CO2 and bottled into 25cl bottles.  [[Brasserie_Belle_Vue|Belle Vue]] and other lambic brewers also began to pasteurize their beers to prevent bottle conditioning and potential bottle explosions as a result of the residual sugars being left in the beers. Filtration also removed many of the bugs and created a cleaner beverage suited for the soda drinker market.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Fruit shortages, juices, and sweeteners===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Fruit shortages, juices, and sweeteners===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Shortages in fruits traditionally found in Belgian lambics also played a part in the addition of fruit juice and extracts.  After 1945, European agriculture was in dire straights, and many producers were left unable to grow or supply fruits.  Postwar food rationing and a rise in sugar consumption in general also played an important role in the shift to sweeter beers. In the postwar era, much of the sweetened lambic was primarily the result of blending young lambic or other top fermenting beers that contained significant residual sweetness with more tart, aged lambic. &amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Shortages in fruits traditionally found in Belgian lambics also played a part in the addition of fruit juice and extracts.  After 1945, European agriculture was in dire straights, and many producers were left unable to grow or supply fruits.  Postwar food rationing and a rise in sugar consumption in general also played an important role in the shift to sweeter beers. In the postwar era, much of the sweetened lambic was primarily the result of blending young lambic or other top fermenting beers that contained significant residual sweetness with more tart, aged lambic.&amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Brouwerij_Lindemans|Lindemans]], for example, began sweetening in 1972-1973 because of a shortage of Schaeerbeekse cherries&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/del&gt; Some lambics are even sweetened artificially with Aspartame or Saccharin&amp;lt;ref name=&quot;Oxford&quot;&amp;gt;Garrett Oliver, [http://www.amazon.com/Oxford-Companion-Beer-Garrett-Oliver/dp/0195367138 The Oxford Companion to Beer], 2011&amp;lt;/ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;listing &#039;sugar substitute&#039; as an ingredient on their beer labels.  As fruit lambic became more and more popular in the late 1980’s and 1990’s, fruit juices were used to further sweeten lambic. &amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt;  [[Brouwerij_De_Troch|De Troch]] uses this process today for their fruit lambics both to satisfy the market for a sweetened product and to introduce more exotic fruit flavors like [[Chapeau_Exotic|pineapple]] and [[Chapeau_Banane|banana]] into the beer that are not readily available in Belgium.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Brouwerij_Lindemans|Lindemans]], for example, began sweetening in 1972-1973 because of a shortage of Schaeerbeekse cherries&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&amp;lt;ref name=GeuzeKriek&amp;gt;Jef Van den Steen, [[Books#Geuze &amp;amp; Kriek: The Secret of Lambic Beer|Geuze &amp;amp; Kriek: The Secret of Lambic Beer]], 2012&amp;lt;/ref&amp;gt;  Some lambics are even sweetened artificially with Aspartame or Saccharin&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;,&lt;/ins&gt;&amp;lt;ref name=&quot;Oxford&quot;&amp;gt;Garrett Oliver, [http://www.amazon.com/Oxford-Companion-Beer-Garrett-Oliver/dp/0195367138 The Oxford Companion to Beer], 2011&amp;lt;/ref&amp;gt; listing &#039;sugar substitute&#039; as an ingredient on their beer labels.  As fruit lambic became more and more popular in the late 1980’s and 1990’s, fruit juices were used to further sweeten lambic.&amp;lt;ref name=LambicLand&amp;gt;Tim Webb, Chris Pollard, Siobhan McGinn, [[Books#LambicLand: A Journey Round the Most Unusual Beers in the World|LambicLand: A Journey Round the Most Unusual Beers in the World]] &amp;lt;/ref&amp;gt;  [[Brouwerij_De_Troch|De Troch]] uses this process today for their fruit lambics both to satisfy the market for a sweetened product and to introduce more exotic fruit flavors like [[Chapeau_Exotic|pineapple]] and [[Chapeau_Banane|banana]] into the beer that are not readily available in Belgium.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===What&amp;#039;s In A Name?===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===What&amp;#039;s In A Name?===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Significant confusion over unsweetened and sweetened lambic products ensued, and some brewers note that sweetening lambic was squeezing out traditional lambic. Jean-Pierre Van Roy is quoted in [[Books#Wild_Brews:_Culture_and_Craftsmanship_in_the_Belgian_Tradition|&#039;&#039;Wild Brews: Culture and Craftsmanship in the Belgian Tradition&#039;&#039;]] as saying that “the sweet lambic, the sweet fruit beer, and the sweet gueuze don’t exist. It’s impossible. If it is very sweet there are three possibilities: It is not a lambic, it has aspartame added, or it is pasteurized. Lambic is a natural product.”&amp;lt;ref name=WildBrews&amp;gt;Jeff Sparrow, [[Books#Wild Brews: Culture and Craftsmanship in the Belgian Tradition|Wild Brews: Culture and Craftsmanship in the Belgian Tradition]], 2005&amp;lt;/ref&amp;gt;  However, history has shown that sweetening has played a significant role in the history, success, and survival, of lambic in general throughout the years. Indeed, Jean Van Roy has agreed on at least one occasion that his father was using saccharine to sweeten beers as a “means to basically save the brewery … because people wanted sweet things.” &amp;lt;ref name=summit9&amp;gt;Lambic Summit, part 9 (Shelton Brothers), Jean VanRoy, 2010&amp;lt;/ref&amp;gt; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Sweetening lambic was viewed as a normal part of the business.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Significant confusion over unsweetened and sweetened lambic products ensued, and some brewers note that sweetening lambic was squeezing out traditional lambic. Jean-Pierre Van Roy is quoted in [[Books#Wild_Brews:_Culture_and_Craftsmanship_in_the_Belgian_Tradition|&#039;&#039;Wild Brews: Culture and Craftsmanship in the Belgian Tradition&#039;&#039;]] as saying that “the sweet lambic, the sweet fruit beer, and the sweet gueuze don’t exist. It’s impossible. If it is very sweet there are three possibilities: It is not a lambic, it has aspartame added, or it is pasteurized. Lambic is a natural product.”&amp;lt;ref name=WildBrews&amp;gt;Jeff Sparrow, [[Books#Wild Brews: Culture and Craftsmanship in the Belgian Tradition|Wild Brews: Culture and Craftsmanship in the Belgian Tradition]], 2005&amp;lt;/ref&amp;gt;  However, history has shown that sweetening has played a significant role in the history, success, and survival, of lambic in general throughout the years. Indeed, Jean Van Roy has agreed on at least one occasion that his father was using saccharine to sweeten beers as a “means to basically save the brewery … because people wanted sweet things.”&amp;lt;ref name=summit9&amp;gt;Lambic Summit, part 9 (Shelton Brothers), Jean VanRoy, 2010&amp;lt;/ref&amp;gt; Sweetening lambic was viewed as a normal part of the business.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As lambic brewers and blenders began to recognize the importance of keeping the older traditions alive, some banded together to form [[HORAL]]. This group aims to promote lambic beers, brewing, and culture in Belgium.  Their stated goals are &quot;to promote the craft lambic beers and related products, paying attention to the entire process of brewing to serving lambic; denouncing irregularities concerning artisanal lambic beers and related products; take steps to protect the traditional lambic beers and related products&quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/del&gt;&amp;lt;ref name = HORALAssociation&amp;gt; HORAL - Association, Members, and History, http://www.horal.be/vereniging (Dutch)&amp;lt;/ref&amp;gt; HORAL has worked to obtain and maintain current European Protections on traditional lambic beers since the Traditionally Specialty Guaranteed (TSG) label was assigned to them in 1997.&amp;lt;Ref name = Avermaete&amp;amp;Vandermosten&amp;gt; Tessa Avermaete and Gert Vandermosten, Traditional Belgian Beers in a Global Market Economy, 2009 &amp;lt;/ref&amp;gt; It guaranteed that any sweetened geuze would simply be called ‘geuze’ and any fully traditionally produced geuze would be called ‘oude geuze’, with the adjective ‘oude’ as a title that guarantees that the beer has been prepared the old, traditional way.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As lambic brewers and blenders began to recognize the importance of keeping the older traditions alive, some banded together to form [[HORAL]]. This group aims to promote lambic beers, brewing, and culture in Belgium.  Their stated goals are &quot;to promote the craft lambic beers and related products, paying attention to the entire process of brewing to serving lambic; denouncing irregularities concerning artisanal lambic beers and related products; take steps to protect the traditional lambic beers and related products&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&quot;&amp;lt;ref name = HORALAssociation&amp;gt; HORAL - Association, Members, and History, http://www.horal.be/vereniging (Dutch)&amp;lt;/ref&amp;gt; HORAL has worked to obtain and maintain current European Protections on traditional lambic beers since the Traditionally Specialty Guaranteed (TSG) label was assigned to them in 1997.&amp;lt;Ref name = Avermaete&amp;amp;Vandermosten&amp;gt; Tessa Avermaete and Gert Vandermosten, Traditional Belgian Beers in a Global Market Economy, 2009 &amp;lt;/ref&amp;gt; It guaranteed that any sweetened geuze would simply be called ‘geuze’ and any fully traditionally produced geuze would be called ‘oude geuze’, with the adjective ‘oude’ as a title that guarantees that the beer has been prepared the old, traditional way.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;All lambic producers except [[Brasserie_Cantillon|Cantillon]], who is not part of HORAL, have generally followed this terminology. Van Roy&amp;#039;s reasoning is that they feel no need to distinguish their product as such because everything they make is traditional.&amp;lt;ref name = LambicSummit2010&amp;gt; Lambic Summit, part 10 (Shelton Brothers), Jean Van Roy, 2010 &amp;lt;/ref&amp;gt;  This is not to say, however, that all HORAL members make all traditional products.  It is well noted many HORAL members make both unsweetened products as well as sweetened products.  Today breweries like [[Brouwerij_Timmermans|Timmermans]] and Lindemans produce both sweetened and unsweetened products. Recently, Lindemans has moved to sweetening their lambics with stevia, a natural product.&amp;lt;Ref name= LindemansCommunication&amp;gt; Brouwerij Lindemans, Personal Communication, 2014&amp;lt;/ref&amp;gt;&amp;lt;Ref name=LindemansFram&amp;gt; Merchant du Vin, [http://www.merchantduvin.com/brew-lindemans-framboise-lambic.php Lindemans Framboise Description] &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;All lambic producers except [[Brasserie_Cantillon|Cantillon]], who is not part of HORAL, have generally followed this terminology. Van Roy&amp;#039;s reasoning is that they feel no need to distinguish their product as such because everything they make is traditional.&amp;lt;ref name = LambicSummit2010&amp;gt; Lambic Summit, part 10 (Shelton Brothers), Jean Van Roy, 2010 &amp;lt;/ref&amp;gt;  This is not to say, however, that all HORAL members make all traditional products.  It is well noted many HORAL members make both unsweetened products as well as sweetened products.  Today breweries like [[Brouwerij_Timmermans|Timmermans]] and Lindemans produce both sweetened and unsweetened products. Recently, Lindemans has moved to sweetening their lambics with stevia, a natural product.&amp;lt;Ref name= LindemansCommunication&amp;gt; Brouwerij Lindemans, Personal Communication, 2014&amp;lt;/ref&amp;gt;&amp;lt;Ref name=LindemansFram&amp;gt; Merchant du Vin, [http://www.merchantduvin.com/brew-lindemans-framboise-lambic.php Lindemans Framboise Description] &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key wyoung99_mdwk1-mwiki_:diff:1.41:old-6890:rev-7894:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Ryan</name></author>
	</entry>
	<entry>
		<id>https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=6890&amp;oldid=prev</id>
		<title>Adam: /* What&#039;s In A Name? */</title>
		<link rel="alternate" type="text/html" href="https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=6890&amp;oldid=prev"/>
		<updated>2015-01-05T23:00:54Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;What&amp;#039;s In A Name?&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:00, 5 January 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot;&gt;Line 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 15:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===What&amp;#039;s In A Name?===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===What&amp;#039;s In A Name?===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Significant confusion over unsweetened and sweetened lambic products ensued, and some brewers note that sweetening lambic was squeezing out traditional lambic. Jean-Pierre Van Roy is quoted in [[Books#Wild_Brews:_Culture_and_Craftsmanship_in_the_Belgian_Tradition|&#039;&#039;Wild Brews: Culture and Craftsmanship in the Belgian Tradition&#039;&#039;]] as saying that “the sweet lambic, the sweet fruit beer, and the sweet gueuze don’t exist. It’s impossible. If it is very sweet there are three possibilities: It is not a lambic, it has aspartame added, or it is pasteurized. Lambic is a natural product.”&amp;lt;ref name=WildBrews&amp;gt;Jeff Sparrow, [[Books#Wild Brews: Culture and Craftsmanship in the Belgian Tradition|Wild Brews: Culture and Craftsmanship in the Belgian Tradition]], 2005&amp;lt;/ref&amp;gt;  However, history has shown that sweetening has played a significant role in the history, success, and survival, of lambic in general throughout the years. Indeed, Jean Van Roy has agreed on at least one occasion that his father was using saccharine to sweeten beers as a “means to basically save the brewery … because people wanted sweet things.” &amp;lt;ref name=summit9&amp;gt;Lambic Summit, part 9 (Shelton Brothers), Jean VanRoy, 2010&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;,&lt;/del&gt;&amp;lt;/ref&amp;gt;  Sweetening lambic was viewed as a normal part of the business.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Significant confusion over unsweetened and sweetened lambic products ensued, and some brewers note that sweetening lambic was squeezing out traditional lambic. Jean-Pierre Van Roy is quoted in [[Books#Wild_Brews:_Culture_and_Craftsmanship_in_the_Belgian_Tradition|&#039;&#039;Wild Brews: Culture and Craftsmanship in the Belgian Tradition&#039;&#039;]] as saying that “the sweet lambic, the sweet fruit beer, and the sweet gueuze don’t exist. It’s impossible. If it is very sweet there are three possibilities: It is not a lambic, it has aspartame added, or it is pasteurized. Lambic is a natural product.”&amp;lt;ref name=WildBrews&amp;gt;Jeff Sparrow, [[Books#Wild Brews: Culture and Craftsmanship in the Belgian Tradition|Wild Brews: Culture and Craftsmanship in the Belgian Tradition]], 2005&amp;lt;/ref&amp;gt;  However, history has shown that sweetening has played a significant role in the history, success, and survival, of lambic in general throughout the years. Indeed, Jean Van Roy has agreed on at least one occasion that his father was using saccharine to sweeten beers as a “means to basically save the brewery … because people wanted sweet things.” &amp;lt;ref name=summit9&amp;gt;Lambic Summit, part 9 (Shelton Brothers), Jean VanRoy, 2010&amp;lt;/ref&amp;gt;  Sweetening lambic was viewed as a normal part of the business.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As lambic brewers and blenders began to recognize the importance of keeping the older traditions alive, some banded together to form [[HORAL]]. This group aims to promote lambic beers, brewing, and culture in Belgium.  Their stated goals are &amp;quot;to promote the craft lambic beers and related products, paying attention to the entire process of brewing to serving lambic; denouncing irregularities concerning artisanal lambic beers and related products; take steps to protect the traditional lambic beers and related products&amp;quot;.&amp;lt;ref name = HORALAssociation&amp;gt; HORAL - Association, Members, and History, http://www.horal.be/vereniging (Dutch)&amp;lt;/ref&amp;gt; HORAL has worked to obtain and maintain current European Protections on traditional lambic beers since the Traditionally Specialty Guaranteed (TSG) label was assigned to them in 1997.&amp;lt;Ref name = Avermaete&amp;amp;Vandermosten&amp;gt; Tessa Avermaete and Gert Vandermosten, Traditional Belgian Beers in a Global Market Economy, 2009 &amp;lt;/ref&amp;gt; It guaranteed that any sweetened geuze would simply be called ‘geuze’ and any fully traditionally produced geuze would be called ‘oude geuze’, with the adjective ‘oude’ as a title that guarantees that the beer has been prepared the old, traditional way.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As lambic brewers and blenders began to recognize the importance of keeping the older traditions alive, some banded together to form [[HORAL]]. This group aims to promote lambic beers, brewing, and culture in Belgium.  Their stated goals are &amp;quot;to promote the craft lambic beers and related products, paying attention to the entire process of brewing to serving lambic; denouncing irregularities concerning artisanal lambic beers and related products; take steps to protect the traditional lambic beers and related products&amp;quot;.&amp;lt;ref name = HORALAssociation&amp;gt; HORAL - Association, Members, and History, http://www.horal.be/vereniging (Dutch)&amp;lt;/ref&amp;gt; HORAL has worked to obtain and maintain current European Protections on traditional lambic beers since the Traditionally Specialty Guaranteed (TSG) label was assigned to them in 1997.&amp;lt;Ref name = Avermaete&amp;amp;Vandermosten&amp;gt; Tessa Avermaete and Gert Vandermosten, Traditional Belgian Beers in a Global Market Economy, 2009 &amp;lt;/ref&amp;gt; It guaranteed that any sweetened geuze would simply be called ‘geuze’ and any fully traditionally produced geuze would be called ‘oude geuze’, with the adjective ‘oude’ as a title that guarantees that the beer has been prepared the old, traditional way.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key wyoung99_mdwk1-mwiki_:diff:1.41:old-6889:rev-6890:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Adam</name></author>
	</entry>
	<entry>
		<id>https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=6889&amp;oldid=prev</id>
		<title>Adam: /* What&#039;s In A Name? */</title>
		<link rel="alternate" type="text/html" href="https://lambic.info/index.php?title=Sweetened_Lambic&amp;diff=6889&amp;oldid=prev"/>
		<updated>2015-01-05T23:00:32Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;What&amp;#039;s In A Name?&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:00, 5 January 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot;&gt;Line 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 15:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===What&amp;#039;s In A Name?===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===What&amp;#039;s In A Name?===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Significant confusion over unsweetened and sweetened lambic products ensued, and some brewers note that sweetening lambic was squeezing out traditional lambic. Jean-Pierre Van Roy is quoted in [[Books#Wild_Brews:_Culture_and_Craftsmanship_in_the_Belgian_Tradition|&#039;&#039;Wild Brews: Culture and Craftsmanship in the Belgian Tradition&#039;&#039;]] as saying that “the sweet lambic, the sweet fruit beer, and the sweet gueuze don’t exist. It’s impossible. If it is very sweet there are three possibilities: It is not a lambic, it has aspartame added, or it is pasteurized. Lambic is a natural product.”&amp;lt;ref name=WildBrews&amp;gt;Jeff Sparrow, [[Books#Wild Brews: Culture and Craftsmanship in the Belgian Tradition|Wild Brews: Culture and Craftsmanship in the Belgian Tradition]], 2005&amp;lt;/ref&amp;gt;  However, history has shown that sweetening has played a significant role in the history, success, and survival, of lambic in general throughout the years. Indeed, Jean Van Roy has agreed on at least one occasion that his father was using saccharine to sweeten beers as a “means to basically save the brewery … because people wanted sweet things.” &amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;summit10&lt;/del&gt;&amp;gt;Lambic Summit, part &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;10 &lt;/del&gt;(Shelton Brothers), Jean VanRoy, 2010, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Part 9&lt;/del&gt;&amp;lt;/ref&amp;gt;  Sweetening lambic was viewed as a normal part of the business.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Significant confusion over unsweetened and sweetened lambic products ensued, and some brewers note that sweetening lambic was squeezing out traditional lambic. Jean-Pierre Van Roy is quoted in [[Books#Wild_Brews:_Culture_and_Craftsmanship_in_the_Belgian_Tradition|&#039;&#039;Wild Brews: Culture and Craftsmanship in the Belgian Tradition&#039;&#039;]] as saying that “the sweet lambic, the sweet fruit beer, and the sweet gueuze don’t exist. It’s impossible. If it is very sweet there are three possibilities: It is not a lambic, it has aspartame added, or it is pasteurized. Lambic is a natural product.”&amp;lt;ref name=WildBrews&amp;gt;Jeff Sparrow, [[Books#Wild Brews: Culture and Craftsmanship in the Belgian Tradition|Wild Brews: Culture and Craftsmanship in the Belgian Tradition]], 2005&amp;lt;/ref&amp;gt;  However, history has shown that sweetening has played a significant role in the history, success, and survival, of lambic in general throughout the years. Indeed, Jean Van Roy has agreed on at least one occasion that his father was using saccharine to sweeten beers as a “means to basically save the brewery … because people wanted sweet things.” &amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;summit9&lt;/ins&gt;&amp;gt;Lambic Summit, part &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;9 &lt;/ins&gt;(Shelton Brothers), Jean VanRoy, 2010,&amp;lt;/ref&amp;gt;  Sweetening lambic was viewed as a normal part of the business.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As lambic brewers and blenders began to recognize the importance of keeping the older traditions alive, some banded together to form [[HORAL]]. This group aims to promote lambic beers, brewing, and culture in Belgium.  Their stated goals are &amp;quot;to promote the craft lambic beers and related products, paying attention to the entire process of brewing to serving lambic; denouncing irregularities concerning artisanal lambic beers and related products; take steps to protect the traditional lambic beers and related products&amp;quot;.&amp;lt;ref name = HORALAssociation&amp;gt; HORAL - Association, Members, and History, http://www.horal.be/vereniging (Dutch)&amp;lt;/ref&amp;gt; HORAL has worked to obtain and maintain current European Protections on traditional lambic beers since the Traditionally Specialty Guaranteed (TSG) label was assigned to them in 1997.&amp;lt;Ref name = Avermaete&amp;amp;Vandermosten&amp;gt; Tessa Avermaete and Gert Vandermosten, Traditional Belgian Beers in a Global Market Economy, 2009 &amp;lt;/ref&amp;gt; It guaranteed that any sweetened geuze would simply be called ‘geuze’ and any fully traditionally produced geuze would be called ‘oude geuze’, with the adjective ‘oude’ as a title that guarantees that the beer has been prepared the old, traditional way.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As lambic brewers and blenders began to recognize the importance of keeping the older traditions alive, some banded together to form [[HORAL]]. This group aims to promote lambic beers, brewing, and culture in Belgium.  Their stated goals are &amp;quot;to promote the craft lambic beers and related products, paying attention to the entire process of brewing to serving lambic; denouncing irregularities concerning artisanal lambic beers and related products; take steps to protect the traditional lambic beers and related products&amp;quot;.&amp;lt;ref name = HORALAssociation&amp;gt; HORAL - Association, Members, and History, http://www.horal.be/vereniging (Dutch)&amp;lt;/ref&amp;gt; HORAL has worked to obtain and maintain current European Protections on traditional lambic beers since the Traditionally Specialty Guaranteed (TSG) label was assigned to them in 1997.&amp;lt;Ref name = Avermaete&amp;amp;Vandermosten&amp;gt; Tessa Avermaete and Gert Vandermosten, Traditional Belgian Beers in a Global Market Economy, 2009 &amp;lt;/ref&amp;gt; It guaranteed that any sweetened geuze would simply be called ‘geuze’ and any fully traditionally produced geuze would be called ‘oude geuze’, with the adjective ‘oude’ as a title that guarantees that the beer has been prepared the old, traditional way.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Adam</name></author>
	</entry>
</feed>